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While the typical cabin location is as far flung as modern construction methods allow, there is a counter trend for those which are close to home. And in Aure Boathouse, the space under the bed is stacked with logs. A bunkbed with drawers beneath is hidden behind folding louvred doors at JRKVC's AnuAzu cabin in Slovakia. Whether the style is pure Nordic or minimal-vernacular-with-a-twist, these architects have excelled themselves with space layout and storage. Sandellsandberg Arkitekter have painted the ceilings of Synvillan in ice-cream shades. Interestingly, one that bucks the pale timber interiors trend is actually in Sweden. Hence the more rough-and-ready rustic charm of Portugal's Cabanas no Rio, and the polished concrete interior walls of Casa Etérea in Mexico. And across the globe, the prevailing interior aesthetic borrows from the Nordic countries. Small sleeping areas are tucked under the roofs of Hytte Imingfjell in Norway by Arkitektværelset Imingfjell, Switzerland's On Mountain Hut by On, the Folly in California, and La Loica and La Tagua in Chile.Ĭabin culture has deep roots in Europe – from the Scottish Highlands to the Alpine and Nordic regions, where the first cabin structures began to appear as early as 3500BC. Many of these are a modern take on the traditional A-frame structure. Like many cabins in the book, Studio Puisto's Kivijärvi Resort in Finland has one wall entirely glazed.Īrchitecturally, Klanten has noticed a trend for "more vertical cabins with two floors (kitchen below, bed with a view above)". Meanwhile, at many sites, vast panes of glass bring that uninterrupted view – the reason why you've made the trip, most probably – even closer. Studio Heima's Aska Cabin has a charred timber façade "echoing the patches of bare rock that peek out from under the snow", writes Klanten, while its roof, "planted with indigenous vegetation for insulation, embeds it within its beautifully bleak surroundings". This idea of working with nature is also on show near the lava formations, volcanoes and hot springs of Iceland. And Sigurd Larsen hopes that the untreated wood and metal facades of his Danish tree-top cabins will become covered in moss.
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The facades of Casa Etérea in Mexico (by Prashant Ashoka San Miguel de Allende) and Synvillan in Sweden (by Sandellsandberg Arkitekter) are made of polished steel which reflects the surrounding nature. Others feature "honest" materials like glass, steel and concrete. And Norway's Aure Boathouse by TYIN Tegnestue is clad in Norwegian pine. Indigo cabin in The Netherlands by Woonpioniers is lined with locally-sourced wood inside and out – spruce and black-stained larch respectively. It makes our everyday worries disappear."Įven with modern building techniques, there's an appetite among architects to make the most of local materials. Mikko Jakonen of Studio Puisto in Helsinki echoes this: "Being in a safe place surrounded by wild nature really does provoke something primitive in us. "Cabins allow you to be a guest in an impossible place, at least for a certain while," says Klanten. Gestalten's latest book on the subject, Cabin Fever, co-edited by Klanten along with Elli Stuhler, shows that from Australia to Iceland, the fever still runs high.īut getting up close to the elements in a remote spot is also one of the cabin's main draws. This sentiment seems to ring true for the swathes of people around the world who are designing, building, visiting or simply ogling cabins on the page and on screen.
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"We may unwind and recharge and eventually become a different person for a while or for good." Today, he believes, the third place is a cabin. "We are all longing for a 'third place' (somewhere that's neither our workplace nor home) which allows us to be a different person," says Robert Klanten, publisher and CEO of Gestalten, citing the kaffeehaus – or coffee shop – in the 1920s the local bar in the 1960s the club in the 1980s and 1990s. They present a break from normal life, giving inhabitants access to a different way of being. But these perceived downsides are part of what makes them so attractive.
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What do rural cabins give us that we can't get at home? They're smaller than many permanent dwellings, and are likely to be more basic in their furniture, fixtures and fittings.
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